#they're stronger than i am for that

[switch]

i've always wanted to have any kind of concrete sona or mascot of any kind since i was a young lad given how fun and arguably useful they are especially for artists but i'm just so terminally indecisive and fickle that never in my life have i been able to decide on anything even as simple as "yeah i'd be a pikachu because theyre my favorite" or "i'd be this kind of pony" letalone "i'd have this kind of copyright-free vtuber design or cartoon animal design." but when i saw evolotto and its dex entries for the first time i immediately thought "oh yeah i would be this thing for sure with zero alteration necessary."

[joy-girl]

Y'all I can't 😭😭😭❤️

[doyou000me]

"I realised that the time I thought would last forever had come to an end."

[thequeenofsastiel]

I just love that Sam didn't get angry with Castiel for not returning his calls or texts in 15x07. For exactly two sentences he seemed a little upset, but then he just. Immediately let it go. Because he loves Castiel, and just can't be angry with him. Like, since the beginning of season 7, has Sam ever once been angry with Castiel? That's a genuine question. Like he wasn't even openly angry with Castiel at ANY point for breaking the wall in his head that was protecting him from thousands of years of Hell memories. The ONLY reason that Sam tried to kill Castiel was to save the world. He was also the ONLY person who still believed that the Castiel he loved was still there at the beginning of s7. Sure, buried deep, but still there. Bobby didn't believe it. Dean didn't believe it. But Sam KNEW it. He KNEW that Castiel hadn't disappeared. And it was Sam's belief in him that broke through to who Castiel really was. Sam's love for Castiel saved the world. And we just don't appreciate that the way we should.

[ywpd-translations]

Ride 750: Blue sky

(Thank you to @monkeyingaround for helping me with a couple of things in this chapter!! <3)

Pag 1

1: Right?

Hahaha

2: 'morning!

'morning!

Did you bring the thing we talked about yesterday?

Pag 2

1: Summer is here

Pag 3

1: Yeah

2: Look at the color of the sky!!

3: It's a crisp blue sky!!

Well, the color is sky blue, after all

4: Ka....!! You're seriously so narrow-minded! Your eyes are so narrow, too, and that's why you're not close with our kohai

My eyes have nothing to do with... huh!? The kouhai!?

Se... senpaii!! Teh

5: Huh?

Pag 4

1: Rokudai!!

Naruko-san, Imaizumi-san

Good morning!!

Why are you greeting us with so much enthusiasm?

2: You have a huge bag as usual. What is it?

Thank you so much!!

Why are you thanking us!!

Oh, Kinaka is here too

Good morning!!

3: We collected

4: everyone's laundry at training camp, and now we're putting them to dry!!

Yes

Don's take it all on yourself!!

5: It's towels and t-shirts used at training camp that we don't know who they belong to!!

Ah yeah, but even so

Pag 5

1: And the weather is nice, so putting them to dry is nice!!

You already finished drying the first round?

An extreme manager spirit!!

2: What about the other first years?

Ah, they haven't arrived yet, teh

They're not coming?

3: I'll kick them out

Huh...!

What a fast decision!!

4: Think about it again, please!!

Hmm, then let's kick out half of them

Waaa.!!

…. that's what I meant, Hotshot

What?

5: Ah, uhm... by the way, uhm... what about Onoda-san?

Ah, he should be here soon

6: Ah, he's not a morning person?

….. no

Pag 6

1: After training camp, Onoda-kun....

2: Fu fu fu

Ratatata, to the sun...

3: I want to go together... fu fu fu

5: Far

6: Far away..!

Fu fu

That student on the city bike i so fast!!

Pag 7

2: Good morning, everyone...!!

3: He watched everything I recorded while we were at the training camp, and now he's here!!

All the anime!!

4: Look, he's gleaming!! That's the face he has when he's in a good mood because he watched a good anime and came to school while singing its theme song!!

Ohh...

5: Interesting... he watches anime, and... his face is gleaming....

You're taking notes about Onoda-kun's life?

Pag 8

1: Ahh, I'm so happy that “Kawazanyou wa at shiro”, shortened in “Kawashiro”, really has good animation as the preview reviews had said

Oh, yeah?

Imaizumi-kun, will you watch it too?

I'll think about it

Think about it...!!

2: And the second part of “People of the dead”, “the bloody battle” was so scary but so good!

Oh, yeah?

3: You have never seen it, but Onoda-kun

4: He hums an anime song during races

5: And he becomes super fast!!

7: Th.... that's so cool...!!

Pag 9

1: Now!!

2: Third years

Make up supplementary lessons for the members of the bicycles racing team that were away for trainig camp

3: It'll be boring like every year, but we'll get through it

Yeah

Tch, supplementary lessons?!

Pag 10

2: Apply this formula

3: Therefore, the value we're looking for is...

6: Go, Rokudai

For us, too

Pag 11

2: Another three minutes

3: I can see a light!!

He's coming

4: Ohh!!

5: I wasn't expecting this, Furuya

Yeah, Murakami

6: The only one among us first years who could run the whole 1000km in this training camp in the time limit is-

Just a little bit more!

You're in time!

Press on the pedals one last time!

Pag 12

1: The former manager and beginner, Rokudai Renta!!

Pag 13

1: The only survivor

2: Two minutes before the time limit, 23:58, the first year Rokudai

3: completes the 1000km...

4: and is ranked

5: sixth

Kinaka-kun!!

Pag 14

1: You did it, Rokudai

2: Kinaka-kun!!

Ugh-!

3: Thank you, Kinaka-kun.... I could have never done it if you hadn't been there, Kinaka-kun, teh....!!

You did it with your own strength

Guaaaa, thank youu....

Pag 15

1: Cough cough

Are you alright!? Is it your throat, Kinaka-kun!?

You slammed your elbow into it

Teh!?

Hahaha

3: Alright now, let's gather around, give an ending ment, and then leave

Yeah!!

4: Please make a firm ending speech, captain!!

Ah....!!

5: Right... a speech... I have to say some wise saying.... wh- what should I do

Kakaka you can just say whatever you're feeling!!

6: Anyway, finally

Pag 16

1 / 3: All six members who will fight in our last Inter High

Pag 17

3: Are here!!

Pag 18

1: Thank you so much!!

Thank you!!

-you!!

-you!!

2: I'm tired..

But you retired so early on

Yeah but the senpai's race was so intense

I know, right

3: Ahh... this year even just watching it from here made my heart rate increase

4: Yes!! It was an intense training camp!!

Pag 19

1: We're counting on you, Rokudai

4: Oi.... Issa, wake up

5: The teacher looks incredibly angry!!

6: Huh? That daifuku is half the price!? Really, Naruko-san?

It's no use, he's sleep-talking!!

Pag 20

1: Everyone worked really hard at the training camp

3: It's coming soon this year, the Inter High

[breezy-cheezy]

You are deep in the paint about One Piece and me and my datemate watched OPLA recently so I will tell you this thing I said while we were talking about Shanks.

He said something to the effect of Shanks is CRAZY STRONG, perhaps one of the strongest, and has some special ability that allows him to tell anyone weaker than him to GTFO, so it's a fucking mystery why he lost his arm when by all rights he never needed to lose the arm. He's still the strongest without it, but why'd he lose it in the first place if he didn't have to???

So I replied, after like a minute of thought, "Because he might not need the arm, but Luffy needed him to lose his arm". Luffy needed the lesson he was going to learn for Shanks giving up that piece of himself to save Luffy's life. He needed to see the stakes and be given that lesson of actions, consequences, collateral damage, giving pieces of yourself for the sake of your crew/family/nakama.

Furthermore, with Sanji and Luffy being connected through "my mentor/surrogate father literally gave up a piece of himself to save my life", stands to logic that Sanji also needed that lesson in the narrative sense. These older guard pirates passed along something vital, giving up something that they don't need to live fulfilling lives but would be seen as incredibly important, to teach the next generation something and give them tools with which to do better.

I don't go here (I don't have the spoons for the entirety of One Piece tbh), but I liked the conclusion I came up with and wanted to share it in the hopes that you might like it too. I don't think I'm breaking any new ground here tbh but as an outsider, it was neat to think about.

I SURE AM, BUDDY X'''D Thanks for popping in! 👀 I got thoughts (and manga screencaps since you won't read it anyway, FREE REIN:

Hm. I mean point taken, but I mean...even the strongest people aren't infallible? Even IF Shanks has Conquerer's Haki (the power in question) which is something very special someone has to be born with and trained to use to its fullest, that doesn't mean it'll fix everything. Also like. He's also been shown to kinda....lose control of it when nervous or on edge.

Like my dude did not have to do this. He mentions later he doesn't like being on different territory or something LOL (he's visiting a different powerful pirate leader here).

Anyway to rescue Luffy at that time, he had to act FAST and was probably SCARED FOR HIM so like. Maybe didn't have the time to make the Haki register? It came down to losing Luffy or bodily thrusting his own arm forward to block the bite from the sea king....and well. Shanks has 2 arms. Only one Luffy. The choice was easy. Even upon losing the arm he didn;t seem upset by it really.

For the sake of the new era he says....the face of it being Luffy himself. And yea the wording really is "I gave it up" and him clearly having no regrets.

STILL I think you do have a point, this was VERY important for Luffy to learn. This same kid stabbed his own face to prove he was "manly enough" to be a pirate (so Shanks wouldn't leave without him....like his brother Ace....like his brother Sabo, to an extent, through "death" in his case) so the realization that being a pirate....would not be easy. There would be sacrifice. There would be pain. But also in a way, it was Shanks showing how important Luffy was to him. This, and passing down that straw hat much to big for Luffy....yeah.

It's clear then he's not ready. Not yet. It's with these parting gifts that Luffy is finally able to let Shanks go, and improve himself so he's strong enough to protect others, so they don;t have to do for him what Shanks did. Luffy learned to live, and while Shanks's sacrifice was devastating to Luffy, he took it to heart to keep going and grow stronger. And yea, that Nakama is just that important, more than limbs. More than life.

NOW SANJI ON THE OTHER HAND....similar but different. Luffy and Sanji were very lonely kids, but for different reasons. Luffy was clingy to anyone who showed him anything close to kindness, while Sanji....puffed up like a scared cat. Without going deep into details, he's from an extremely abusive family that beat into him he's not worth anything because he's weak. Especially from his father. So when Zeff gives him all the food, and sacrifices his own leg....well...

"Why did you do that for me?! I never gave you a reason to be kind to me!!!" And Zeff responds with their shared dreams of the All Blue...but I also feel like it's just. Sanji is a kid. He's just a kid. Again a face of the new generation to come. Zeff had his chance to search for the All Blue and be a pirate, but Sanji's life is just beginning. I'm sure that fueled his decision too.

But unlike Luffy, this just made Sanji cling harder. In a way he gave up his dream to support Zeff, out of guilt, out of a sense of duty and kindness he'd....not really experienced and didn't know what to do with. And Zeff probably allowed it for awhile, because goodness Sanji is just a kid, and he needed someone to help him grow and learn.

But it took Luffy to come along, bringing "I will live for you" to challenge Sanji's "I will die for you" conclusion.

Which uh. Didn't really fix Sanji's self sacrificial nature, but it HELPED, lmao. Eventually he was able to let go of suppori=ting the Baratie to finally chase his dream...as long as he doesn't die for a crewmate in the process hsdhfhdsk

So YEA IDK how much their mentors/father figures knew/thought about their sacrifices, but there sure were willing choices to give up their limbs for the upcoming generation/era, no matter what. I loved Zeff emphasizing that to Garp in OPLA, I think that's extremely important and a huge theme to One Piece in general. Cycles, power, and how many conflicts rise from powerful forces refusing to let go of their power, thus suffocating the new generations (the World Government smacking down so hard on the age of pirates).

Shanks and Zeff gave their support and protection to ensure these kids could live their fullest lives, and I think that's beautiful!

[01tsubomi]

cultural perspective being indispensible in media consumption but looking back i find it so funny that for years and years before teaching in japan i thought it was another suspension-of-disbelief surrealist kagepro thing that haruka and takane spent all their time in a homeroom class for just the two of them and now the maximum number of kids we've ever had in my special needs class is 3

[camakkuma]

Day nineteen Joe . .Planes?

I really tried to pick an actual alt hermit but my stupid brain decided to draw my evil version of Joe Hills ((ヾ(≧皿≦ﾒ)ﾉ))

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[meowsticmarvels]

i think i mightve talked abt this a bit in my longpost about how insane phi as a character is to me but yknow what i really wanna point out? all the nonary game shit she has to go through happens in really quick succession to her - she doesn't really get a proper "break" in between VLR and ZTD for her mentally. junpei and akane at least have about a year between the two, and sigma has 45 years (not that either of those situations were particularly good either though, looking at how sigma and junpei especially turned out, and sigma spent years WORKING on the AB game, just not participating in it). but for phi? she has a matter of DAYS in between the two. the time sigma spends she spends in cold sleep, so mentally to her, her consciousness goes from the events of VLR's phi end to DCOM almost instantly. dcom only ends up lasting for about 5 days, and even then the prologue states that phi/sigma/akane spent most of it worrying about radical-6 and the future + the flashback with diana shows phi is just so Tired after everything after just that. and then the decision game happens. my point is just that i cannot imagine being in a death game like that (not to mention everyone had radical-6, so she went from a body that Did have it to one that didn't, which i can imagine would probably a pretty weird experience considering one of its symptoms is messing up your perception of time. and also she was on the moon.), spending 5 days like god how did the apocalypse start i can't let it happen this time and then being in Another death game that is much more gruesome and violent. not to mention both of them in a way HAD to happen because of her (2074 nonary game bc it needed to train sigma and phi's SHIFTing abilities to a good enough degree and decision game one of the reasons was to ensure she and delta were born). in summary: i would fucking die at that point if i was phi dealing with that All At Once. in the span of a few days. and with the memories of my + others' deaths. what the fuck

[impishtubist]

My job involves me occasionally putting on programs in the community and y'all...............kid fic writers really are sleeping on how disgusting children under 10 are, huh.

[cry-ptidd]

I love your art! You are a big inspiration! I was wondering if you have any advice for artists who think all their art is shit? I’ve been in a slump recently where I’m always unsatisfied with my work. I look up to you and big werewolf mommy, Laura! I wanna make my own OCs, but I’m stuck at the moment. Thank you for listening to my tale of woe LOL! I hope you have a great day!

Hi, thank you so very much!! I am honored by your kind words 🥹🤲

As for advice, I'll see what I can do..! I am not the most coherent person because my approach to literally everything is, if I do something I go in with vague knowledge then throw myself into the void and hope there's something I can latch onto on the way down. Sometimes there is, sometimes there isn't. But its annoying, because when people ask me for advice, I'll have jackshit to tell them

So, I'll try! My first piece of advice would be, obviously, don't get discouraged! If you are at that inevitable block point where all your art looks bad, remember that that too shall pass etc etc. You could either take a few days of break (or longer, depending on how often you draw, and remember that its not shameful to not draw every day), or keep going.

Which leads to my second piece of advice- which is, if you're artblocked, I recommend redraws and little exercises. Maybe redraw a comic panel that looks cool to practice- take some drawing off Pinterest whose artstyle you think looks dope and try to replicate it, combine multiple ways to achieve something.

For exercises, you can try to study the thing you're insecure about, wether it be anatomy, clothing, hair, expressions, shading, fabric, etc. Study from more experienced artists, see if there's something you notice in your own art that bothers you then compare it to theirs and see how they handled it. Go see speedpaints and tutorials if needed. When you go into a drawing with a more certain understanding of what you're doing, it will give your hand way more confidence. While comparison will NOT save you in entirety, it CAN be helpful to progress and learn. Don't forget to study real life; learn the rules before breaking them.

Then, continue until you make a drawing you're really proud of - even better if you apply new skills and knowledge to make it. It will feel like you just achieved enlightenment, and the confidence will make you want to draw even more to feel that again.

Regarding that last point - you must also prepare for when that block happens again because it will. But then you'll have to remember what you did last time, and it might help you push through it. Remember; such block is natural in any skill. Nature is made of both mountains and valleys.

[meirimerens]

i'm very sorry to say this, but meiri, you are a foul woman for making me (a lonely lesbian) lust for a gender bent version of a canonically male character.....keep going 👍

in a more just world there would be no more male characters and the female characters would be as diverse as them. in a just world a female character would be a 197cm tall bald lying secretive corpse-desecrator who would attack her childhood friend and almost-adopted-sister on sight, spitting in her face that it was she who slept by their mentor's feet like a dog. in a just world a female character would be a vaguely futchy¹ bipolar alcoholic who tries to self-immolate in front of you, participated in a colleague's murder with her sister (or did she?), delirious from guilt, illness and drink (and it NOT being the "sexualized crazywoman" trope. because she'd be worse), whose sister would be protective of her like a rabid dog. in a just world a female character could be a brown-eyed brunette in a tacky snakeskin coat, arrogant, haughty until circumstances beyond her comprehension break her spirit, able and willing to tell someone that if they're that much of a pussy about killing themself she'll fucking help. in a just world a female character could be butcher [as in the cutter of meat.], daughter of butcher, feared for her perceived violence but not more wicked than any other, collecting organs and keeping them in her little pouch.

but it is not a just world. so fine. (rolls up sleeves) i'll do it myself.

¹ the butch-femme scale is not real and therefore "futch" or "futchy" isn't either. however that is a really funny word for a joke

[procrastinatorproject]

Fuck it, I'm gonna start posting my own shouty thoughts on season 3 of Picard rather than just commenting on other people's stuff.

I'll keep taggin everything "#picard spoilers" (assume I'm talking about everything up to the most recent ep, I'll warn seperately for leaked/promo stuff about ep 10) and "#picard saltiness" so you know what to blacklist (or look for, I'm not telling you how to internet 😋).

I'm sorry/get ready.

Here's the thing. I would like to watch season 3 of Picard and think "Oh well, this wasn't made for me, the same way season 1 wasn't made for the type of TNG fan who is in heaven right now. And I'm sad my favourite characters and main reasons I liked the show in the first place got written off, but I'm glad these other fans are having the time of their lives. Good on them, I'll just mentally file this away as a season/new show that I don't connect with as much as I'd hoped." I really, really want to be able to think that and approach season 3 this way.

But the writers won't let me.

At every turn, and I mean every turn, the writers have gone out of their way to not just pretend the previous two seasons didn't happen, but to remind us they happened and they were stupid and you're stupid to ever have enjoyed them.

It's not just that Picard, in the middle of his disillusioned identity crisis, when he has been holed up on his vinyard for over a decade, talking to nobody, and feeling deeply disappointed by Starfleet, gives an impassioned speech to a bunch of young people about how Starfleet is the only family you'll ever need.

That's a type of discontinuity/soft retcon I don't particularly enjoy, but if it were just that, I wouldn't be writing this way too long screed.

It's not even just the implicit "we will do it right this time" on display e.g. when Picard "flies" the Titan out of the labouring nebula. In that scene, Picard walks up to the captain's chair to take the conn, the TNG theme swells, he sits down, the music becomes bombastic, and he gets to be the Heroic Captain We All Remember. That scene is, in my opinion, something of a parallel to the season 1 scene where Picard tries to hijack La Sirena to take Soji to her people. In the season 1 scene, he sits in the captain's chair, the TNG-inspired music swells, he is about to be the Heroic Captain We All Remember -- except then the music fizzles out and the moment deflates because Picard has been retired for a decade and a half and has no idea what he's doing (and is certainly not the most qualified to do it on an unfamiliar ship).

That parallel in season 3 rubbed me the wrong way, because it felt too close to a refutation of season 1. Too close to "See? This is how that scene should have played out!" But that is a me problem. If the writers were remotely aware of the parallel (and I honestly doubt it, because I'm not sure they know season 1 well enough), it's just as likely they wrote it as a tongue-in-cheek reference, more than a rebuttal. Assuming the worst would have been on me and my unwillingness to give this season a fair shake. And if that sort of scene were the worst of it, I wouldn't be happy about it, but I wouldn't make it everybody else's problem.

Except the writers didn't stop there.

I would (eventually) be okay with it if the writers had just quietly abandoned, ignored, or even outright retconned some characters, history, themes, and plots from season 1 and 2 they disliked. But instead, they repeatedly acknowledge the existence of these elements only to then dismiss them in frankly viscious ways.

It's not enough to ignore the Jurati-Borg in all their Eggness glory and how they would be incredibly relevant to this story season 3 is trying to tell. It's not enough to pretend that storyline never happened and move on. Instead, the writers acknowledge the existence of the new collective, but the only sentence where it's mentioned is a character talking about "That weird shit on the Stargazer."

Yes, Shaw is a dick, yes it fits his character, yes Watsonian reasons. But it was still an active choice by the writers to only bring up one of the major plot developments of season 2 in the most derisive way possible.

Another example: The writers apparently felt that the Troi-Rikers didn't belong on Nepenthe. But it's not enough to have them move somewhere else between seasons, or even to let them have a discussion about how Nepenthe is steeped in loss and grief and they want to move somewhere else and start over.

Instead, the writers have to take time out of their already shoddily paced season to have these two characters extensively shit-talk one of the brightest momenst of season 1 (figuratively and literally). It's not just "they don't like it on Nepenthe anymore", it's "they never liked it, everything about it is terrible, everything season 1 showed you about their life there is a lie, and it has always been shitty and cringey and stupid, and you were stupid to like it!"

It's not just "we dumped our diverse characters, challenging themes, and relatively fresh view on the Trek universe from outside Starfleet for starship porn, great (white) men, and more Starfleet nostalgia than you can even comprehend". It's not just "we're going to ignore the existence of season 1 (and to a degree season 2), because it's not doing the things we want to do." It's not just "we're making this show, knowing (and not caring) that it will alienate a large chunk of the people who enjoyed season 1".

It's "we see what previous seasons were trying to do, and we need you to understand, really understand, how much contempt we have for these seasons and the people who enjoyed them."

I know some people felt this way about season 1 and the way it deconstructed Picard's image as the Great Heroic Captain and laid open his flaws and the flaws of the Federation. And I now empathize with them more than I ever thought I would. But I think there is a big qualitative difference in there.

In season 1, Picard gets put in his place. He has women people telling him when he's wrong, where he has failed, where he should have stepped up and needed to do better. But the show is still deeply sympathetic towards him. By the end of the season, Elnor has forgiven him, Raffi has forgiven him (without ever getting an apology), and he gets to save the day [whether the end to this particular arc is well done (it's not) is a rant for another day].

The failures Picard is being reproached for in season 1 pretty much exclusively happen between TNG and PIC. They tie in to patterns and tendencies the character has always had and attempt to deconstruct some of them. But there's no direct evisceration of specific things that happened on TNG.

At no point does Picard get out his Ressikan flute to make a glib comment about what a useless trinket it is, and how he should have thrown it out years ago. At no point does he turn to Riker and say: "Man, do you remember that Darmok and Jalad shit? What a waste of time! I wish we'd blown up that ship when we encountered it."

Season 1 is critical of Picard's character, yes, and it might feel crass or unfair at times (not least because we're still not used to seeing Great (White) Heroic Men Of Our Childhood get deconstructed that way). But any reproach the season 1 writers levelled at Picard pales in comparison to the petty contempt the season 3 writers regularly display towards the show they've ostensibly taken stewardship of.

Season 1 might have been a bit glib or inconsiderate of the legacy they inherited. Season 3 is viscious. And I am so, so tired of it.

[kindheartedgummybears]

you wanna know what??

I am

TIRED

of overmasculinized werewolves!!!!

I WANNA SEE A

WEREWOLF

WALKING AROUND IN A CVNTY LITTLE OUTFIT!!! WALKING THE STREETS!!!! DISEMBOWELING CREATURES!!!!

I WANNA SEE WEREWOLVES COVERED IN BLOOD AND GORE WHILE WEARING A SHORT SKIRT AND CROPTOP WITH HELLO KITTY ON IT!!!!

I WANNA SEE A WEREWOLF WALKING AROUND IN COTTAGE AND FAIRY AND PRINCESS CORE OUTFITS!!!!!! WITH A DEAD MANGLED RABBIT IN ITS MOUTH!!!!

AND MAKE THE WEREWOLF

D I S G U S T I N G ! ! !

[shallowseeker]

Those asks pointing out Cas taking Dean away from Zachariah in 5x04 (I really hope to see others of them because klghkjdhsh) made me realize why Dean is baffled in 5x18 that Castiel just doesn't grab Adam and bring him to them. / Dean in 5x18: You did for me though. It was one time magic? You can't do it again? :(

"You misunderstand the situation, Dean. Zachariah's a remarkably terrible flyer. Like a dirigible crashing through the air. Slow, like your human automobile. But those angels in there are battalion angels. There's a difference."